Thursday 16 September, 2021
With Christian Milovanoff, photographer and writer.
By the framing and the viewpoint adopted, Eugène Atget’s images invite the viewer to take the photographer’s place, searching to save from oblivion the “precious things whose state will disappear”, according to Charles Baudelaire’s saying.
Online reservation
Full rate: 5 €, concessions: 3 €.
The event will be held in French.
On the occasion of a Feuilletage, François-Xavier Gbré will present his work and the book Radio Ballast, published by Atelier…
In Ripples in the Pond, Bharat Sikka offers a sensitive exploration of Makharda, a peripheral township near Calcutta, where different…
Born in 1969 in Karlstad (Sweden), JH Engström has been developing for over three decades a major body of work…
In recent years, Bieke Depoorter has sought out amateur stargazer, visited observatories, and researched the history of astronomy. Never especially…
Landscapes hold traces of human histories—political, colonial, social, or economic. Through fragmented glimpses, Karim Kal’s nocturnal landscapes reveal the historical…
Clément Chéroux, director of the Fondation Henri Cartier-Bresson and curator of the exhibitions Karim Kal – Mons Ferratus et Marjaana…
On the occasion of the release of his new album Le tact, the Fondation Henri Cartier-Bresson is delighted to welcome…
https://youtu.be/TtvqZcbFbJw?si=_B1cgtTExpAyovQ9 In 2002, during the civil war, Hady Barry and her family fled Côte d’Ivoire to Senegal. Shortly thereafter, her…